Collaborative Projects
ARTSY &
ART RELIEF LA
ART RELIEF LA
Art Relief: LA – Disaster Relief Through Art
I was brought in to manage communications for Art Relief: LA, an emergency fundraiser set up in response to the 2025 California wildfires. Initiated by Sympact, a leading social and environmental impact consultancy, the project uses the power of art to mobilize immediate support for communities affected by the crisis.
Art Relief: LA teamed up with Artsy, the world’s largest fine art marketplace, to host an online benefit auction. The sale brought together works from both emerging and established artists, with all proceeds going directly to disaster relief efforts.
As part of the project team, I oversaw communications strategy, press outreach, and digital storytelling. I contributed to expanding the initiative’s online presence across social media and press platforms, ensuring the campaign gained visibility and engagement beyond traditional art audiences. Additionally, I supported image editing and visual asset development for the campaign, helping to present artists’ work in a clear, compelling way across all platforms.
Art Relief: LA follows earlier projects under the Art Relief umbrella, including Art Without Borders, continuing a powerful legacy of using art as a force for rapid, meaningful impact.
The Best of British Talent & Crisis
Stylist for Crisis’ homeless charity nationally promoted Community T-shirt campaign, created to raise funds for the UK’s leading homelessness charity. The project brought together celebrated British designers — including Preen by Thornton Bregazzi, Eudon Choi, and Olivia Morris — and featured some of the UK’s most exciting cultural figures such as Lola Young, Poppy Ajudha, Nyome Williams, and Shiva Raichandani.
Photographed by Alex Brammall, the campaign was rolled out nationwide across Crisis’ retail network.
Project link:
https://shopfromcrisis.org.uk/collections/designer-t-shirt-project?srsltid=AfmBOor82Miy2TE4FYzTqVs_zpL22ariyEvVZh6k-yl1zAVyNC4vDW_n
Crisis x GFF x Love Not Landfill
I worked on styling and art direction for the Crisis x Graduate Fashion Foundation x Love Not Landfill II sustainability campaign, a collaboration between three major UK institutions: Crisis, the country’s leading homelessness charity; GFF, a key platform during London Fashion Week; and Love Not Landfill, a prominent circular-fashion initiative.
The images from the shoot were displayed on public advertisements throughout London as part of a city-wide push to promote sustainable fashion and charitable support. The project brought together emerging designers and social-impact organisations to spotlight reuse culture in a visually compelling way.
Featured in The Face, this project spotlighted a new generation of Central Saint Martins fashion graduates. I worked as stylist and creative director, shaping the visual language of the shoot and selecting the featured designers.
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The Courtauld Institute of Art, East Wing Biennial (2025)
In October 2025, I spoke on RE:VISION: In Conversation, a panel series hosted by the Courtauld Institute of Art as part of the East Wing Biennial. Chaired by Romy Brill Allen, Director of RE:VISION, the programme brought together artists and audiences across six discussions exploring contemporary practice.
My panel, RE:LOCATE, focused on questions of authorship, perception, and the shifting boundaries between human and machine-led image-making. Drawing on my practice across painting, generative systems, and computational processes, I discussed how digital tools reframe traditional modes of making and seeing.
I spoke with art critic Lee Sharrock for Culturalee about In Between Subjects II (2024), and the way my work moves between custom-trained generative systems and traditional painting. We unpack “digital misreadings,” authorship, and how a dataset built from personal sketches can tip an image into something spectral and mythic.
Curated the debut solo exhibition Wanderlust by Matilda Rose, including writing the curatorial essay, shaping the exhibition narrative, producing invitations, managing preview clients, and serving as artist liaison throughout the exhibition process.
Collaborated with Joana Vasconcelos at the Fundação Joana Vasconcelos, contributing crocheted components to a Dior project realised in Lisbon, supporting the studio’s large-scale production and material development.
I co-curated and exhibited work in Uncensored, an immersive group exhibition conceived and organised in collaboration with artists Abbie Heller and Amelie Schlaeffer at Candid Arts Centre. I developed the central curatorial concept, selected participating works, and oversaw installation within the gallery space.
Alongside the physical exhibition, I coded and produced an interactive Instagram filter that extended the project into the digital sphere, enabling audience participation beyond the gallery and amplifying the exhibition’s public reach. I also managed key production logistics, including the installation and coordination of a multi-camera projection system that formed the core immersive element of the exhibition.
Served as editorial and tour stylist, shaping wardrobe and visual direction for press shoots and live performances across touring schedules.
A group exhibition presented at the Yaa Centre, curated by Levi Naidu-Mitchell, exploring the cultural and political language of Carnival. The exhibition was supported by Arts Council England, the Carnival Village Trust, and the University of the Arts London (Central Saint Martins). I exhibited a sculptural installation and was responsible for the full presentation of my work, including spatial layout, transport, installation, and the preparation of interpretive material.
I work across documentary research, narrative development, and production support, with credits spanning UK national television and international streaming platforms. I have served as a creative researcher and production assistant on Anna Richardson: Love, Loss & Dementia (Channel 4), contributing primary research, editorial briefings, and interview development for a prime-time broadcast produced in partnership with the Alzheimer’s Society. Additional credits include Reef Builders (Amazon) and Cornwall with Simon Reeve (BBC), where I supported research, narrative preparation, and on-location production across multiple episodes.
Curated the debut solo exhibition Wanderlust by Matilda Rose, including writing the curatorial essay, shaping the exhibition narrative, producing invitations, managing preview clients, and serving as artist liaison throughout the exhibition process.
2022
2021
Styling an editorial for Aro Archieve with photography from John Munro and movment direction with Ed Munro
Editorial with Max Lancaster